Level: 1 and 2
Unit type: Optional specialist
Guided learning hours: 30
Assessment type: Internal
Live sound is the heart of the music industry. The sound engineer’s role is key to its success and is a rewarding and challenging career path. This unit offers you the opportunity to learn about live sound and carry out the role of a live sound engineer. As a sound engineer, you must be able to manage the technical requirements for an entire concert, such as festivals, concerts, shows, gigs, school events, charity fundraisers, open air events, theatre and small venue events. You will begin by considering the sound requirements of the venue. You must ensure that there is sufficient amplification for the audience to enjoy the performance without exceeding safe sound limits. You must organise and direct sound checks and you must know how to use and operate equipment safely without causing injury to yourself or others.
During performances you will mix sound signals together from a variety of sources in real time to give the audience a balanced sound. Many of the tasks in live sound are the same as in a recording studio, but you must be aware that the environment is likely to change and the mix will need constant reviewing and adjustment. The sound engineer must be able to adapt and respond to technical problems in performance and ensure that minimal disruption to the event occurs.
Finally, you will de-rig at the end of the show and ensure that all equipment is checked and stored safely. You will be the first to arrive and the last to leave as the success of a live music event relies heavily on a skilled and attentive sound engineer.
In this unit you will:
Click here for the full success criteria.
Click here to see what evidence you will need to have in your portfolio [link to ‘Assessment evidence.pdf’ file]
You have been asked to plan and execute the sound for the school summer concert.
Whilst liaising with the director of music and, as part of your preparations, you will need to produce a list of organisational tasks and an assessment of all technical requirements, including schedules, stage plans and a risk assessment. Your preparation will include meetings with crew and performers to work through your risk assessment, the schedule for the evening and the individual performer’s requirements.
You will now be responsible for the safe rigging and de-rigging of the sound system for the summer concert and ensuring suitable FOH and monitor mixes for each performance.
Evidence you must produce for this task:
For this part of the assignment you will need in your portfolio folder:
You will need to carry out set-up and operation of the sound system safely whilst being aware of the associated health and safety issues:
For this part of the assignment you will need in your portfolio folder:
Manual Handling is all about how to move loads safely as you will need to do when setting up and de-rigging sound equipment for an event.
Electrical safety is important when dealing with sound equipment when setting up and when using equipment on stage.
Finally you will need to think through all the possible risks that are involved in setting up/de-rigging and running a concert. You will need to complete a Risk Assessment which outlines what the risks are and what procedures are in place to minimize each hazard.
You will need to be able to use the mixer to get a good balanced sound for each concert item.
During the Sound Check you will work out the levels (volume) for each instrument/microphone that gives you the best balance.
Keep a record of the different settings for each concert item using a Track Sheet. During the concert you can use this sheet to create a balanced mix before each item starts.
Click here for an example Track Sheet.